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Wednesday, January 16, 2013

Back to School with the Latest Teen Fiction Part 3 of 8: Kenneth Oppel's This Dark Endeavour: The Apprenticeship of Victor Frankenstein



This Dark Endeavour: The Apprenticeship of Victor Frankenstein
Kenneth Oppel
Simon & Schuster Books For Young Readers
August 23, 2011
304 pages
Hardcover, $17.99
This Dark Endeavor won the Libris Award (Canadian Booksellers Association).
Endeavor also won as an Honour Book, Canadian Library Association Young Adult Book Award.

Victor Frankenstein, his twin brother Konrad and the beautiful Elizabeth are forbidden to explore the Dark Library. However, when Victor’s father becomes deathly ill, Victor tries to hunt down the three ingredients to make the Elixir of Life, a dark and perilous task at best. As if being a fifteen-year old wasn’t trouble enough, Victor must risk more than his life to save his father.

Oppel, a Frankenstein fan, was struck by how only a few pages are devoted to Victor’s youth in Mary Shelley’s original novel—in which he mentions the raising of ghosts and demons, and a quest for the Elixir of Life.

“I thought ‘Wow, this not typical happy childhood,’” Kenneth Oppel said from Toronto. “If you like gothic, horror, sci-fi, the Frankenstein myth was the first of all those genres. So I think if you want a good dark adventure with romance, an enigmatic hero, [and] sort of a love triangle, the book might appeal  to you.”

Oppel also has a sequel to Endeavor. Such Wicked Intent: The Apprenticeship of Victor Frankenstein Book Two came out in August 2012.

Monday, January 7, 2013

Profile of Michael Rowe and his novel, Enter, Night, in print

My profile of Michael Rowe and his excellent vampire novel, Enter, Night appeared Dec. 21 on the national section of Xtra:Canada’s gay & lesbian news. The novel, set in 1972, occurs in the northern Ontario mining town of Parr's Landing, is an unabashed tribute to 1970’s vampire novels. The characters must contend with an old evil, sans cell phones, the Internet or any other modern gadgetry that can dilute the effect of horror prose—if the author is not prudent.

Thursday, December 20, 2012

My Fave Horror & Fantasy Reads of 2012

Locke & Key by Joe Hill
Turns out that Hill, Stephen King's son, has good a good thing going in graphic novels. Great art, great writing, great fun. Best horror comic book out there.

The Guardians by Andrew Pyper
Tight, efficient writing using a classic gothic motif of three high school friends returning to Grimshaw, Ontario. There, they try to figure out what the hell went wrong with all their lives and struggle with modern male identity. Pyper gets extra points for featuring a hero experiencing the onset of Parkinson's Disease.

The Killing Circle by Andrew Pyper
Astonishing story-within-a-story, and a single father's fears for his son, including loads of angst about being a failed writer and the perils of the publishing business.

The Drowning Girl by Kaitlin R. Kiernan
Intoxicating mix of myth, schizophrenia, dark fantasy, and stories-within-stories. Metafiction was big 2012, apparently.

 

Friday, December 7, 2012

Anthony Bidulka's Dos Equis Book Review

My review of Dos Equis, Anthony Bidulka's eighth Russell Quant mystery novel, appeared Dec. 6 in the Winter Reads edition of  Xtra: Ottawa's gay & lesbian news. Bidulka's work is, as always, fun, charming and humorous. This time, the disarmingly human Quant works on a case that showcases the series' minor players.


Sunday, December 2, 2012

Book Review: I'm Perfect, You're Doomed: Tales from a Jehovah's Witness Upbringing

Kyria Abrahams' I'm Perfect, You're Doomed: Tales from a Jehovah's Witness Upbringing is a brave, marvelous and astounding memoir. The fact that Abrahams broke away from being a Witness and, moreover, wrote a funny, tragic, and insightful memoir about the experience is both inspiring and admirable. The trick that she pulls off, and a difficult one at that, is imparting enough information about Witnesses (which, I might add, does indeed require a book-length project, unless one wants to stereotype Witnesses), while still garnering sympathy for the narrator and thus explaining her departure from the sect.
 
In hilarious but often sad scenes, Abrahams describes growing up in a Witness family whose constant visits of encouragements from elders and parents wildly swinging from being devout to lax members of their congregation. Her unhappy home life leads her to impulsively get married at 18. By 19 years old, she is realizes she is in a loveless marriage, manipulated and controlled by her religion, and tries to get out, either through daytime drinking, initially laughable attempts at affairs, cutting, and trying to think for herself. Why does she have misgivings about feeling sorry everyone who is not a Witness, because they will perish shortly after the Armageddon?
The only obvious drawback to Abraham's accomplishment is that she turns to drugs, boozing and sex in her efforts to break away from her congregation. Drugs, of course, and any abuse of the body are anathema to Witnesses, as is sex before marriage. They are allowed to court, marry, and then sex becomes acceptable between two people sharing the bond of holy matriomony and who  love each other. Drinking, contrary to popular belief, is allowed for Witnesses, so long as they drink in moderation. However, by using these means of escape, Abrahams may, unfortunately, confirm devout Witnesses' deeply-held belief that those who turn away from the only true religion are doomed to a life of sin in a world controlled by the devil.
However, I digress. This book is a maddening and brilliant vivisection of a very controversial religion. Why can't JW's give blood? Why can't they celebrate birthdays, Halloween, or Christmas? If anyone was ever curious about any of these facets of the religion, they can find answers to these queries, and much more, here. As well, Abrahams humanizes Witnesses. They are not robots. They agonize with the religion's views on topics such as homosexuality. For those who are curious, gays and lesbians are supposed to be able to study the Bible and build up enough moral fortitude to ultimately become good, end-of-the-world-fearing, heterosexuals.
Author photo of Kyria Abrahams. As she has survived her own self-destructive youth, but also the Jehovah's Witnesses, one feels the need to congratulate her on both counts. Congratulations, Kyria Abrahams. You made it through.
To top off her engrossing story, Abrahams spices every page with pop-culture references, including the JW fear of the demonic Smurfs and how Smurfs are supposedly tools of the devil out to corrupt children. I wonder if Abrahams has heard of Tattoo This Madness In, Daniel Allen Cox's searing novella. In his rough-and-tumble tale, Cox makes an in-your-face, David Cronenbergesque attack on Jehovah's Witnesses. His protagonist turns other Witnesses away from the sect, putting them through life-altering, traumatic experiences, and then tattooing each new disfellowshipped member with a Smurf tattoo.

As for I'm Perfect, I have to go with Janeane Garofalo’s blurb on this one–this is certainly the funniest book I have ever seen done by a disfellowshipped Jehovah’s Witness from Pawtucket. In all seriousness, however, Abrahams has done something truly astounding and enlightening here.

Friday, November 30, 2012

Review of Ray Bradbury Bio in Rue Morgue

A quick mention-or Better Late than Never:

My 350-word review of Becoming Ray Bradbury, Jonathan R. Eller's fastidiously-fashioned and rather fascinating biography of Bradbury's formative years, appeared in the Ninth Circle section of the  Oct. issue of Rue Morgue: Horror in Culture & Entertainment. This is one of my more fitting and accomplished reviews, seeing print in October no less, a month that Bradbury celebrated and drew inspiration from throughout his career.

In Becoming, Eller shows how Bradury, working with a series of different mentors, broke into the pulps in the 1940's, including the famous Weird Tales, as well as the "slick" mainstream magazines. Eller also  describes how Bradbury navigated both critics and editors who were perplexed by a writer who crafted  both literary fiction and horror, fantasy and sci-fi fiction shot through with a literary sensibility and a sense of whimsy. Although Eller is the director for Center for Ray Bradbury Studies at the University of Illinois Press, his is no dry academic biography, but a colourful, humanizing portrait of Ray in his beginnings, before he became the white-haired media darling of later years.

http://www.rue-morgue.com/2012/10/halloween-issue-on-stands-now/

Thursday, November 29, 2012

My First Podcast is Online

My first podcast in online! Along with Unreasonable Action founder, Brad Doiron, I do a 32-minute review of Ex Machina, a comic book written by Brian K. Vaughan and drawn predominantly by Tony Harris. Ex Machina features a protagonist who is the mayor of New York City. It's 2003 and Mayor Hundred, a former super-hero, can talk to machines. Using this scaffold, writer Vaughan works all manner of current political themes into his narrative, from same-sex marriage, to cracking down on crime, to 9/11. These are atypical  topics in what is ostensibly a super-hero book, hence my my interest in the series. Readers familiar with Vaughan will know that he also wrote Y: The Last Man, also an epic series peppered with pop culture references, snappy dialogue, and featuring an anti-hero. You can find my podcast at the Unreasonable Action website.